These three-foot-tall letters at the entrance to the Anacostia Community Museum spell out a portion of the title of the exhibition “A Right to the City,” on display until April 2020. Photo by Amber N. Wiley.
Colorful and immersive, the Anacostia Community Museum’s exhibition “A Right to the City” immediately invites the audience inside to explore. The exhibit comes at a critical time for the nation’s capital, which is experiencing exponential growth and major social, ethnic, and economic changes in its population. The exhibition’s audiences will learn about the history of six neighborhoods in Washington, D.C., and the major battles that neighborhood residents fought for equal rights and protection against segregation and displacement from urban development since the mid-twentieth century. The exhibition explains that crucial victories were the result of the collective muscle of many disempowered individuals; their work as a cohesive unit gave them the social and political capital they otherwise lacked.
To read more, visit: Journal of American History, Volume 106, Issue 1, June 2019, Pages 128–131.
Beacon Light Motel, North Hudson, New York, from Richard Longstreth, A Guide to Architecture in the Adirondacks (Keeseville, NY: Adirondacks Architectural Heritage, 2017).
This symposium took place ahead of the 2019 VAF Conference Landscapes of Succession in Philadelphia. Organized by Cameron Logan and Amber Wiley, former doctoral students of Richard Longstreth, it involved contributions from a group of former students, colleagues, and collaborators whose work engages with, and has been inspired by, Richard Longstreth’s scholarship, teaching and public advocacy. This included people in academia as well as those in cultural resource management. The various panels at the symposium focused on contemporary work by a range of scholars and researchers who have explicitly drawn on his lessons or otherwise engaged with the kinds of theoretical and methodological approaches that Longstreth has championed. Given the overwhelmingly historical focus of his work this symposium naturally looked to the past. But it equally focused on what is being done about the past in the present and grappled with future directions in how we understand the past and its legacy in the built environment.
The Cultural Value of Everyday Places
28th & 29th May, 2019
Session 1 – Housing
Vyta Baselice, Operation Breakthrough: US Federal Housing and Architectural Logistics, 1969-1973
Matthew Lasner, FSA, Telesis, and the Politics of New Housing Types in the San Francisco Bay Area, 1935-1965
Katie Marages Schank, Open For Inspection: How the Atlanta Housing Authority Used Consumer Culture to Sell Public Housing
Zachary J. Violette, Taste, History, Style, Ornament: Some Problems and Approaches to the Analysis of Aesthetic Choice in Working-Class Housing
Respondent: Carla Yanni
Session 2 – Landscapes of Accumulation and Abandonment
Elihu Rubin, Ghost Town: Snapshots of a Cultural Landscape
Helen Tangires, Shelter for the Middleman: Food Wholesaling in the Twentieth-Century City
Respondent: Dell Upton
Session 3 – The Digital Turn?
Lisa Davidson, Assessing the Buildings of the United States Series in 21st Century Architectural History Scholarship
Gabrielle Esperdy, Highway Historiography at the Crossroads: Richard Longstreth, Ed Ruscha and The Streets of Los Angeles
Respondent: Jeffrey Cohen
Alison K. Hoagland, Air Apparent: An Environmental History of the Washington, DC Rowhouse Plan
Session 4 – The Suburbs
Anna Andrzejewski, Looking beyond the Icons: The “Doctors Park” in American Suburbs
Gretchen Buggeln, What People Taught Me about their Church Buildings: An Architectural Historian’s Experiments in Ethnography
Mary Corbin Sies and Isabelle Gournay, Baby Boom Modernism and the Quest for Community in D.C.’s Maryland Suburbs, 1947-1972
James A. Jacobs, The Stubborn Ambivalence about the Twentieth Century Suburban Vernacular
Respondent: Robert Bruegmann
Session 5 – Preservation
Daniel Bluestone and Aaron Wunsch, Preservation’s Integrity Trap
Eve Errickson, Hearth Bias: Interpreting Impermanent Architecture
James Buckley, “I [Still] Can’t See It; I [Still] Don’t Understand It; and It [Still] Doesn’t Look Old to Me”: Taking the Longstrethian View of Historic Preservation’s Future
Amber Stimpson, From Barbershops to Boarding Houses: African American Travel from 1936-1966, and the Cultural Relevance of Green Books’ “Oasis Spaces” in North Carolina
Respondent: Catherine Bishir
Just Beneath the Surface: A review of Cityscapes of New Orleans by Richard Campanella, Landscape Architecture Magazine (January 2019)
Reviewed by Amber N. Wiley
New Orleans is ubiquitous in our collective imagination because of its robust sense of place. Tourism brochures and conference programs essentialize the city—its food, music, architecture, and nightlife. In Cityscapes of New Orleans, the geographer Richard Campanella implores the reader to observe the city, mind the details, and ask questions gleaned from tiny clues. He does this by presenting a series of vignettes that span the 300-year history of New Orleans. Campanella argues that there are always new lessons to learn from each discovery, lessons that can guide us about how to exist within the particular cultural geography of New Orleans.
Cityscapes is a collection of 77 essays that Campanella published in various journals, newspapers, and venues between 2010 and 2017. These essays had specific and limited audiences: Some were published in Preservation in Print, the magazine of the Preservation Resource Center of New Orleans, others in Louisiana Cultural Vistas, the magazine of the Louisiana Endowment for the Humanities. More content was pulled from Cityscapes, Campanella’s monthly column in NOLA.com/The Times-Picayune, as well as guest editorials he wrote for online journals such as Places and New Geography.
The essays are readily accessible to any individual who has baseline knowledge of New Orleans. Campanella envisioned the book as a reader, and it is not divided into strictly defined chapters, but along permeable themes: “People, Patterns, and Place,” “Architectural Geographies and the Built Environment,” “Urban Geographies,” “Regional Geographies,” and finally, “Disaster and Recovery.” The writings flow into each other in a way that makes sense—one can often find the connection between two essays in succession. The essays range from pithy, such as the two-page final musing “New Orleans as Metaphor,” to quite lengthy, like the eight-page piece titled “What the Nation’s Best-Educated Amateur Planners Learned from Hurricane Isaac. And Gustav. And Rita and Katrina. And Cindy, Ivan, Lili, Isidore, and Georges…” Cityscapes is richly illustrated, despite the nontraditional nature of the volume.
To read the full article, visit: https://landscapearchitecturemagazine.org/2019/01/11/just-beneath-the-surface/
Amber was invited to speak on a panel about Power at “A Convergence at the Confluence of Power, Identity and Design” symposium that was hosted by Women In Design at the Harvard GSD.
Amber was quoted in a Teen Vogue article that highlighted controversy over the naming of the Clarence Thomas Center for Historic Preservation in the era of the #metoo movement, and in light of the Kavanaugh Supreme Court hearings:
Yale University and other institutions such as University of Michigan have recently adopted policies about how to deal with requests to reconsider names of existing buildings. In 2017 Yale changed the name of Calhoun College, which was named after John C. Calhoun, the seventh U.S. vice president and a white supremacist who once called slavery a “positive good.” They renamed it after Yale alum Grace Murray Hopper, a computer science pioneer. Michigan announced earlier this year it will be changing the name of two buildings after the legacies of their namesakes were called into question.
Amber Wiley, assistant professor of art history at Rutgers University, researches architecture, urbanism, and African American cultural studies. She attended Yale as an undergraduate, where she says she witnessed firsthand the impact that being in Calhoun College had on students of color. “Place names are so important. They carry a lot of weight,” she says. “The kind of emotional and psychological toll that this plays on people who attend these universities, who have to sit in the classrooms in the building, this is not a thing to just take lightly. [They feel] the burden of history.”
Wiley says that in some ways, the discussion about Calhoun at Yale was much more straightforward than the current situation at SCAD because Calhoun’s pro-slavery views were well documented — and Calhoun died in the 1800s.
To read the full article, visit: https://www.teenvogue.com/story/scad-clarence-thomas-building-petitions
Since 2012, the Society of Architectural Historians Blog has covered a variety of topics related to the history of the built environment. Articles have addressed issues concerning politics, preservation, and pedagogy, some have focused on the work of a specific architect or building types, and others have provided readers with useful resources. The blog has also housed the monthly reports of SAH’s H. Allen Brooks Travelling Fellows as they document their journeys around the world.
Amber Wiley’s blog post, “The New Flower: Addis Ababa and the Project of African Modernity” from her time as the inaugural H. Allen Brooks Travelling Fellow, came in at number five.
To see the other four most popular SAH Blog posts of all time please click here.
Oklahoma Foundation for Excellence 2018
Special | 1h 24m 2s
Five outstanding Oklahoma educators and 100 of the state’s top public high school seniors are recognized at the Oklahoma Foundation for Excellence 31st Academic Awards Banquet. Amber Wiley, Academic All-State Alumnus ’99, was invited back to speak with current Academic All-Staters, and to introduce one of the educator awardees during the banquet program.
The event does not seek answers, only ideas. Charlottesville is many things and we seek to draw strength from varied perspectives and approaches. We want to address the challenge of designing public space in this climate, not just with words but with landscape materials, form and space. Landscape Perspectives for Future Publics hosts a panel of invited landscape architects and academics to present their ‘visions’ for Charlottesville. These proposals may be hopeful, bleak, abstract, real, or somewhere in-between. A discussion will follow challenging what it means for the practice and praxis of landscape architecture to be more inclusive, representative and equitable.
Benjamin C. Howland Panel Invited Presenters + Panelists: Kofi Boone, Alexa Bush, Garnette Cadogan, Azzurra Cox, Frank Dukes, Walter Hood, Amber Wiley, Sara Zewde Moderated by: Elgin Cleckley, UVA School of Architecture
This panel is presented in coordination with the Benjamin C. Howland Lecture, by Walter Hood, on April 19, at 5:30pm in Campbell Hall 153. It is hosted by SALAD and the Howland Panel Committee.
Paper Monuments is a series of opportunities, events, and interventions designed to elevate the voices of the people of New Orleans, as a critical process to creating symbols of our city that represent our collective vision, and to honor the erased histories of the people, places, movements, and events that have made up the past 300 years as we look to the future.
Paper Monuments is a megaphone for New Orleanians to use art and storytelling to answer the question:
What is an appropriate monument to our city today?
The Pythian Temple project was a collaboration between Chris Daemmrich, artist, and Amber Wiley, storyteller. Paper Monuments is the brainchild of Sue Mobley and Bryan C. Lee Jr., founders of Colloqate Design.
Amber N. Wiley, Ph.D., collaborated with the Museum to lend insight into the Pilot District Project (PDP), the subject of the forthcoming exhibition Community Policing in the Nation’s Capital Program: The Pilot District Project, 1968-1973.
NBM Online: After Rev. Dr. Martin Luther King, Jr.’s assassination in 1968, the Pilot District Project was born as a local experiment in police reform and citizen participation in a predominantly African American area of Washington, D.C. Who were some of the key people instrumental to the PDP’s forming?
Amber Wiley: Robert Shellow, a social psychologist who was the head of research for the Kerner Commission, developed the program. He had previous experience researching issues of civil disturbances, as well as working with the Prince George’s County Police Department to aid in developing protocol for policing large-scale events.
Marion Barry, civil rights activist, founder of Pride, Inc., and the Free DC Movement was initially against the program. His antagonism was a result of the fact that the PDP had started police sensitivity training before developing an elected citizens’ board to oversee the project. He created a coalition of local activists to run for the board under the banner of the People’s Party. His party ended up winning the majority of the seats on the PDP citizens’ board.
To read the rest visit: https://www.nbm.org/interview-amber-n-wiley/